In what ways does your media product use, develop or challenge forms and conventions of real media products?
I think my film challenges the forms and conventions of real media productions as it combines two unlikely/opposing scenarios. Stereotypically ballet connotes grace, elegance, innocence, youth and beauty and this is completely opposite to the connotations of drugs (desperation, sadness, addiction, low self esteem). Also I think that the way the music plays throughout is quite different to many other film openings, I think it really connects the audience's emotions to the piece and makes them feel how Chrissy (main protagonist) is feeling, and this is effective as when the audience feel they connect to a character they are automatically drawn in. Our film opening has been hugely inspired by the Black Swan but have interpreted it differently. I was especially inspired by the cinematography in the Black Swan. I loved the dark shots and thought this added to the darkness of the film so and thought this would be extremely effective in our opening, as it too is based on a very dark subject (drugs). Another technique we used was that our shots are filmed in conjunction with one another, as if two situations are going on at the same time. We used fade to black transitions to distinguish between the two scenes. I think this is a rare technique especially in a film opening, as a film opening is all about setting the scene and its very brave to try and set two scenes at once. However we were able to, without it being to confusing or disjointed as we have a cyclical narrative, this means that our opening scene, if we were to make the whole film would be one of the last scenes in the film.
This nine frame grid shows the nine shots I feel represent the general feel of my film. They are all in order.

Frame 1
Frame 1 is our opening shot, it was inspired from the film The Black Swan in which Nina the main protagonist is dancing on stage, I loved the darkness of the shot and the high contrast of the pointe shoe and the black stage. This artistic shot tells the audience that the focus of the film is on ballet. In this shot the music is first introduced, and think this adds to the emotion of the opening and the slow ballet dance on pointe shoes fits the slow music perfectly. I think the reflection of the pointe shoes on the stage proves extremely effective and makes the shot even more interesting. The beautiful shot mimics the beauty and elegance of the dance.
Frame 2
This is the first shot to reveal our main protagonist, Chrissy. This shot shows Chrissy tying her hair up in the mirror and staring at her reflection. I think the deeper meaning behind this shot is that she's looking at what she has become all in the name of dance. This shot is the shot in the bathroom before she takes the performance enhancing drugs so her looking in the mirror could also be her decision whether to take the drugs or not. The shot also helps to establish that she is getting ready for something, and the costume helps to infer that this is probably dance related. This is the first time you see Chrissy's costume, she is dressed in all black. We wanted to dress her in black to make the cinematography of the performance darker but also we thought it could reflect her thoughts and personality. This idea was taken from the Black Swan where the two main characters are constantly dressed in opposing colours (pink and black) to represent the part they play in the film (good and evil).
Frame 3
This next shot is the only shot used that was filmed in out third location, the dance studio. Its a very bright shot in contrast to the later dance performance. All the actresses/dancers are wearing pale pink pointe shoes and tights, this colour again connotes youth, innocence, sensitivity and love and this contrasts against the upcoming shot of Chrissy taking drugs. I love this shot because of all the reflections, as well as the obvious reflections in the mirror there are also reflections of the shoes in the floor. We were very lucky with the dance studio location as it looks extremely professional and very similar to a studio that real ballerinas would train in.
Frame 4
This is a very important shot because prior to it the audience have no idea of Chrissys dark side and the fact that she's taking performance enhancing drugs to deal with the huge pressure that she is under. When filming this shot I focused the camera on the white pills, this would make sure that the audience knows they are the most important thing in the shot and ensure that they are what the audience is focused on.
Frame 5
This shot follows Chrissy through the backstage corridors of the stage. I like how her reflection is projected onto the wall in front of her, we achieved this effect by lighting her from behind. This shot was filmed on a hand held camera (without tripod) which makes the audience feel as if they are the one behind Chrissy. When Chrissy turns to the left you can really see the solemn expression on her face, this portrays her emotion to the audience.
Frame 6
This frame is a extreme close up shot on Chrissy's eyes. This shot shows her natural make up that fits perfectly with that of a ballerina. I love the simplicity of this shot. It shows Chrissy's realisation of what she has just done (drugs) and what she must do next (perform a dance that will determine her future as a ballerina). Also as the shot shows her eyes it could link to the effect drugs have on the pupils (they dilate).
Frame 7
Frame 7 is the first shot in which we see the stage. Here we can really see and appreciate all the outfits. All the actresses/dancers are dressed in black leotards, Black cardigans, Pointe shoes and either pink or black tights. The lighting of this shot is different to the previous shots, as you can see the light is bright white and in front of the stage to achieve this look we used a spotlight. The use of this type of lighting projects choruses shadow across the stage which I think looks quite effective. This is a panning shot which slowly reveals all the actresses leaving the main protagonist until last, and its also filmed from a low angle which portrays the dancers as the most important in the scene. The positioning of the characters is equally as important as Chrissy is centre stage which makes her the main focus. Chrissy's graceful dance actions also really compliment the music and it fits extremely well. In the background of this frame there is a black wall/curtain, it was on this that we projected a video, we wanted a monochrome video so it wouldn't detract from the action taking place in the performance scene, but just something that would add another subtle dimension to the film. Here is the video we used (https://www.youtube.com/watch?v=QB0ordd2nOI). This video not only emotionally connected with the tone of the film but also has our music/soundtrack which made it easy for us to choreograph the dance routine to when filming, this also made editing easier as we could fit all the actresses/dancers actions in time with the music.
Frame 8
This frame is a low angle shot of Chrissy in the bathroom, we can see Chrissy in the reflection. Its a very short shot with a length of around three seconds. I think the low angle portrays Chrissy as superior she is about to perform and this shot suggests she is very good at what she does (ballet). However it also challenges the representation of Chrissy, we know she's a highly established dancer, but she has no self confidence within her self and this is why she has a glum expression. This shot is very bright its filmed with natural and artificial light, and the white tiles in the bathroom reflect the light and make the shot even brighter. This frame shows Chrissy's cardigan falling off, this suggests she's a bit of a mess, this is probably due to nerves.
Frame 9
This final shot reveals the title of the film. We chose this title as it has a double meaning, in dance terms it means to shadow or to obscure and in the english language it means to make one self seem insignificant or inconspicuous. We thought this was very relevant to our film as Chrissy acts in exactly this way she try to hide herself to make her seem insignificant. We chose this font as we thought it was classic and timeless which fits with the classical dance ballet. Also we wanted something simple that didn't distract to much from Chrissy in the back ground. Again the reflection of Chrissy on the stage floor looks effective especially the reflection of her hand as it symbolises that she is not alone and this is portrayed in the shot by her fellow dancers running to see if she's ok. This final shot also leaves us in anticipation as the final shot is Chrissy falling and the audience are left to anticipate the outcome.

































